Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.

"Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people. A dystopian world that is all too real and that has much to say about our own." Kirkus Reviews

Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

On 24 May 1948, the Empire Windrush sailed from Kingston, Jamaica, to harbour at Tilbury Docks. It carried 1,027 passengers and some stowaways, and more than two thirds of them were West Indies nationals. On 22 June 1948 they disembarked onto the docks, Alford Dalrymple Gardner was among them. Alford's story traverses both the uplifting highs and intolerant lows that West Indian migrants of his generation encountered upon travelling to Britain to forge out a life. From joining the British military during World War II to returning to Jamaica once it was won-only to come back to the UK when the government decided it needed him again-Alford witnessed milestone events of the 20th century that shaped the country he still lives in today. In the context of a supposedly 'post-Imperial' Britain where the lives of West Indian migrants hang precariously on the whims of the Home Office, Alford's heartening testimony is a celebration of those who endured hardships so that generations to come could call this place home.

A captivating, sexy romance that explores the limits of love at first sight...

Afro-Brazilian filmmaker Ren is recovering from a romantic betrayal. Kayla is a Black British artist and journalist keen to make her mark. Thrown together during a string of interviews in New York for Ren's latest film, they're struck by an irresistible attraction. The two surrender to one night of searing honesty and passion, which leaves them with more questions than answers about the future. With secrets lurking between them, letting their romance continue could upend the separate lives Ren and Kayla have so carefully built. But can they really risk losing their miraculous connection?

Honey Fontaine has spent much of her adult life dodging her mother's attempts to marry her off, and has had enough. Her mother, having changed her own life by marrying into comfort and means, is determined to find a similar suitable match for her daughter, much to Honey's distress. At her wits end, Honey decides to enlist the support of Ashley Elliot, a well-off club owner and determined flirt, who will pretend to be Honey's man. Ashley is not Honey's usual type, but she finds herself increasingly drawn to him and what a relationship with him could be like. When the latest of her mother's picks proves to be unexpectedly attractive to her, Honey finds herself suddenly forced to have to make a choice. Stability or passion, comfort or risk? What will Honey do?