Afrobeats is a fast-growing genre, one that has carved out a distinct and powerful Black identity rooted within the African continent.

The first book of its kind, A Quick Ting On: Afrobeats chronicles the social and cultural development of the eponymous music genre, tracing its rich history from the African continent all the way to the musical centre of the Western world.

This exciting new book takes a unique look at the music of the African diaspora and their children, delving into how Afrobeats and its sub-genres have provided new articulations of Black identity and pride. It remembers the Afrobeats pioneers and memorable cultural moments, as well as investigating the impact of African migration, travel and modernisation on the genre.

A Quick Ting On: Afrobeats provides an insightful look at how Afrobeats became the explosive music genre it is today.

From pirate radio to Glastonbury's Pyramid Stage, journalist and rapper Franklyn Addo pens an extraordinary narrative of the history, present and future of Grime music.

The influence of Grime on contemporary British culture is difficult to understate. From fashion trends and evolving language to potent political statements, Grime is a musical juggernaut that has reverberated far throughout British society. Chronicled for the first time in powerful literary prose, Addo intelligently documents the genre's cultural explosion and investigates how it became the voice of a generation.

A phenomenal insight into the captivating and electrifying genre that has taken the British music scene by storm, A Quick Ting On: Grime is an essential and long-awaited read for Stormzy aficionados and grime newcomers alike.

Stanley J. Browne is an actor, and he has been an actor all his life. Born to a Jamaican mother in a London suburb, he began rehearsing for the role of survivor from an early age. From birth he knew nothing but a home filled with love and the vibrancy of a Caribbean culture, but this changes when his mother is diagnosed with schizophrenia.

In this honest and gripping memoir, Stanley reflects on a childhood and adolescence torn apart by mental disorder. Because of it, he adopts the mantle of 'man of the house' as he is forced to scavenge for food and miss school, with his two sisters, to care for his baby brother. His life is further fragmented as they yo-yo in and out of the care system and Stanley must face the reality of being separated from his siblings.
An intelligent and sensitive child, Stanley descends into a life of crime and drug abuse. During his time spent in various young offender's institutions and prisons he battles with addiction and slowly begins to turn his life around.
Set against a backdrop of 1970s poverty, racism and hardship, Little Big Man is a powerful story of generational trauma and one man's determination to heal the wounds of the past. Most of all, it is a book about the universal desire for love, belonging and the search to find an authentic voice through the redemptive power of creativity and recovery.

Continuously available in print since 1969, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s.

Dan Freeman, 'the spook who sat by the door', is enlisted in the CIA's elitist espionage program after a white senator decries the lack of Black officers in the agency. The first Black man in the Central Intelligence Agency, Freeman is given a desk job. Despite excelling, promotions are hard to come by as the token black in the CIA. Deciding he's had enough, Freeman uses the tactics he learns in the CIA to foment violent rebellion in Chicago, in a mirror image of the coups wrought around the world by the Agency itself.

With its focus on the militancy that characterised the Black Power movement of the 1960s and 1970s, this is the story of one man's reaction to ruling-class hypocrisy in ways that make the novel autobiographical and personal. As a tale of a reaction to the forces of oppression, this brilliant and funny satire by Sam Greenlee proves to be just as potent today as it was when it originally was published.