Winner of the McKitterick Prize 2018.

"Never cover an assignment without collecting a brown envelope," Boniface had said. "It is a real life saver for all journalists in this country."

Ifiok, a young journalist working for the government radio station in Lagos, Nigeria, always aspires to do the right thing, but the odds seem to be stacked against him. Government pressures cause the funding to his radio drama to get cut off, his girlfriend leaves him when she discovers he is having an affair with an intern, and kidnappings and militancy are on the rise in the country. When Ifiok travels to his hometown to do a documentary on some ex-militants' apparent redemption, a tragi-comic series of events will make him realise he is unable to swim against the tide of corruption.

Building on the legacy of the great African satirist tradition of Ngugi Wa Thiongo and Ayi Kwei Armah, Radio Sunrise paints a sharp-tongued portrait of (post) post-colonial Nigeria.

A Dickensian tale of two young boys from opposite sides of the track who form a bond of brotherhood and friendship as they survive the streets of Lagos.

Temilola is a kind-hearted boy from the upper echelons of Nigerian society who wakes up alone in the middle of Lagos and discovers that he has lost his memory. He soon finds that this is the least of his problems, as he must now attempt to survive the dangerous streets of Lagos. Vipaar, who has been making a living as a hawker of random necessities on the streets of Lagos, finds Temilola and, after a violent first encounter, reluctantly takes him under his wing. They form a strong bond as they strive to make a meagre living selling mobile phone chargers to passing motorists on the dangerous highways of Lagos. The boys navigate the ruthless underbelly of Lagos and learn just how far they will go to protect themselves and each other. When tragedy strikes, their bond is broken and they are forced to separate from each other.

Will the two friends find each other again after they both face increasing brutality, pain and sorrow? Or will their destinies have diverged enough to tear them apart forever?

A writer in self-imposed exile in London receives a call from the Prime Minister of his former country, inviting him to return to write the Prime Minister's biography. As he embarks from his small flat in west London to the modern Caribbean island he once called home, he immediately finds himself thrust into a world of exceptional wealth, power, and corruption.

In the midst of this turmoil the writer falls deeply in love. As the love affair advances, the writer's passion for the island resurfaces, until the loss of a close friend propels him to make one final, potentially cataclysmic decision that will change everything.

From the winner of the 2021 Chinua Achebe Prize for Literature...

Determined to overrule the Nigerian President, members of the powerful secret society, The Sacred Order of the Universal Forces, led by Chief Donald Amechi and Christian Evangelist Chris Chuba, employ a terrorist cell to carry out attacks in Northern Nigeria under the guise of forming an Islamic state.

Adeline, Chuba's daughter, and young Donaldo Amechi, the only son of the Chief, are desperate to hide their love affair from their parents. When the Chief discovers the relationship, Evangelist Chuba is ordered to sacrifice his daughter. Adeline goes missing, but when it is revealed that the men sent to kill her never reached their target, Chuba and Amechi are haunted by what really happened to the young girl.

Set against the backdrop of Nigeria's ongoing terrorism tensions and upcoming elections, Satans and Shaitans is a powerful story about love, politics, power, religion, terrorism, and corruption.

The new satire from the author of Radio Sunrise.

Who will be the next president of the Society of Journalists in Lagos? Who is qualified to lead the esteemed body of journalists and help uphold professional ethics in the state? Will honesty and integrity be able to beat charisma and misinformation?

When a sick man flies in from a neighbouring country, he becomes Nigeria's first ebola case-patient zero. As the cases rise and journalists across the country vie for the lead in reporting the news on the imminent pandemic, Ifiok and his colleagues must immediately tackle the spread of the virus by raising awareness, sharing information, and supporting the outreach efforts of health workers. Unfortunately, they also have to battle against hysteria, misinformation, corruption and denial. Ifiok's love life could be a much needed escape from the stresses of work, if not for his meddling mother and the outdated traditions of society.

Will Ifiok succeed in his quest to become the next president of the Society of Journalists, win the battle against misinformation and find love along the way?