Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

An intricately woven tapestry of stories where survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family.

Celeste Mohammed's second novel-in-stories, Ever Since We Small, is a family saga which covers a sweeping landscape from the days of the British Raj in India, to multicultural modern Trinidad. Written in a blend of Standard English and several flavours of Trinidad kriol, the book follows the bloodline of a young woman, Jayanti, after her decision to become a girmitiya, an indentured labourer in the Caribbean.

Jayanti's grandson, Lall Gopaul, seeks to escape the rural village where he was born, but becomes seduced and corrupted by urban life. His son, Shiva, is forced to take a child-bride, Salma, but never recovers from the guilt. Heartache follows for their three children - Anand, Nadya and Abby - who must each find a way to accept and yet move past their parents' failed example.

Along the journey of these ten interconnected stories, the alchemy necessary to turn the Gopauls' inheritance of pain into a "generation of gold" requires intervention by the living and dead, the "real" and the mythical, the mundane and the magical, the secular and the sacred.

At a time when medicine is a highly sought-after career for Indian women, it is hard to imagine what it was like for the pioneers. The story of how firmly they were bound in fetters of family, caste and society, and how fiercely they fought to escape, needs to be told. In Lady Doctors, Kavitha Rao unearths the extraordinary stories of six women from the 1860s to the 1930s, who defied the idea that they were unfit for medicine by virtue of their gender.

From Anandibai Joshi, who broke caste rules by crossing an ocean, to Rukhmabai Raut, who escaped a child marriage, divorced her husband and studied to be a doctor; from Kadambini Ganguly, who took care of eight
children while she worked, to child widow Haimabati Sen, who overcame poverty and hardship-these women had a profound and lasting impact. And in their forgotten lives lie many lessons for modern women. In truth, the compelling stories of these radical women have been erased from our textbooks and memories, because histories have mostly been written by men, about men. In an immensely readable narrative, and with impeccable research, Lady Doctors rectifies this omission.

Kayo is a young Tokyo housewife and mother. Outwardly, she is no different from other young mothers, but her secret sets her apart. She belongs to a kind of club, which involves luxury, beautiful clothes and accessories.

The club makes it possible for Kayo to escape her tedious life, to become someone else and to embrace a dazzling new world. But it quickly becomes an obsession, a drug, the way to both paradise and hell. Can she find her way out of the dark underworld of debt, lies and prostitution? Or is she doomed to exchange one form of loneliness for another?

A deeply absorbing novel about the "holes" that suddenly appear in women's lives, My Beautiful Shadow is a powerful cautionary tale about consumerism gone mad.