16-year-old Fola Oduwole is scared. She's scared of disappointing her parents, she's scared of not being able to follow her dreams, but most of all she's scared for her brother. He has cancer and his surgery's coming up soon, it could leave him paralysed, or worse. Fola deserves a break, and she gets her wish when she takes the Victoria line one stop too far and is transported to Folkshore, a magical, hidden part of London.

Now she's scared of the talking animals, the mythical Shriekers and not being there when her brother wakes up. Fola wants to go back, but a thunderstorm destroys Folkshore station. As she looks for another way out, Fola stumbles on the local Assembly's nefarious plans. She realises that the only way back to her brother is to help her new friends as they resist the pugnacious police pigs and the authoritarian assembly.

If she fails, the community she's come to love could be destroyed forever and she may never find her way home.

Longlisted for the Women's Prize for Fiction 2022.

Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying ill-fated passengers in a haunted car: a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River.

Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash-reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw-has charmed conversations with a mysterious figure he calls the "River Man," who somehow appears each time he goes there.

When Dash arrives unexpectedly at Nephthys's door one day bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face both the family she abandoned and what frightens her most when she looks in the mirror.

Creatures of Passage beautifully threads together the stories of Nephthys, Dash, and others both living and dead. Morowa Yejidé's deeply captivating novel shows us an unseen Washington, D.C., filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim themselves.

The thrilling follow-up to the bestselling, award-winning novel The Marrow Thieves, about a dystopian world where the Indigenous people of North America are being hunted for their bone marrow and ability to dream.
Years ago, when plague and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up and are re-opened across the landscape to bring in the dreamers and harvest their dreams.

Seventeen-year-old French lost his family to the schools and has spent the years since heading into the north with his new "found family"-a group of other dreamers, who like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is-and what it will take to get out.

Meanwhile, out in the world, his found family searches for him and dodges new dangers-school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go-and how many loved ones is he willing to betray-in order to survive. This engrossing, action-packed, deftly-drawn novel expands on the world of Cherie Dimaline's award-winning The Marrow Thieves, and it will haunt readers long after they've turned the final page.

Shortlisted for the Edge Hill Short Story Prize, the Saboteur Awards, the Shirley Jackson Award and the Jhalak Prize.

A startling debut short story collection from the award-winning author of Butterfly Fish. Okojie's collection of stories are captivating, erotic, enigmatic and disturbing.

Irenosen Okojie's gift is in her understated humour, her light touch, her razor-sharp assessment of the best and worst of humankind, and her unflinching gaze into the darkest corners of the human experience. Okojie has created a world with errant Londoners caught between here and the hereafter, where insensitive men cheat on their mistresses and can only muster enough interest to fall for one- dimensional poster girls and where brave young women attempt to be erotically empowered at their own peril. Sexy, serious and at times downright disturbing, this brilliant debut collection sizzles with originality.

Set during Carnival in Haiti 1938, a young and beautiful woman named Hadriana drinks a mysterious potion on her wedding day and collapses at the altar. She is buried and later resurrected by an evil sorcerer and, as a zombie, enters the collective memory of her town of Jacmel. Hadriana's conversion serves as the inciting incident into an exploration of the strange and esoteric on the island, where Voodoo and Catholicism keep a symbiotic relationship, young women turn into zombies, young men turn into lascivious butterflies and nothing is quite what it seems.

Hadriana in All my Dreams is a frolic through mystery and eroticism that reveals vital truths about the nature of humanity.