On a misty Monday-21st June 1948-the MV Empire Windrush sailed up the Thames and anchored at Tilbury Dock, London. There were a total of 1027 passengers on board with 802 passengers from British Colonies in the West Indies. Of these individuals, 539 were from Jamaica. The infamous images of the passengers walking down the gangplank the next morning would be the moment the Windrush Generation was born.

A Circle of Five reflects on the stories of the three hundred thousand or so making the same journey between 1948 and 1971 by showcasing the voices of five Jamaican women, Evelyn, Emma, Irene, Ivy, and Melissa. Each woman tells their own story, all beginning in early 1930's rural Jamaica and spanning some eighty years. Through these women, the experiences of the Windrush Generation come alive, honouring this vital period in British history.

From the Mangrove Nine to Notting Hill Carnival, writer and social commentator Chanté Joseph takes us through the formative, radical histories of Black British activism.

When the Windrush generation arrived in Britain, the concept of 'Black Britishness' or 'Black British Culture' did not yet exist. Fast forward to the present day, where a distinct and influential Black British identity exists.

This concise and informative book traverses the crucial topics within Black British history and culture: exploring community activism, protests, Notting Hill Carnival, the Black British Panthers, Women of the movement, the Mangrove Nine and the Black British Arts.

Celebrating and chronicling the fusion of social, political and artistic elements within Black activism in Britain, A Quick Ting On: British Black Power provides an insightful look at how the British Black Power movement first emerged and has developed since.

A reimagining of Shakespeare with a Caribbean twist!

Garrick takes Shakespeares's soliloquys and monologues and incorporates Jamaican Patois to make them relevant for a new age and audience. Inventive and engrossing, this collection is imperative and complimentary when teaching the canon.

Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.

Winner of the 2022 OCM Bocas Prize for Fiction.

Shortlisted for the Society of Authors' McKitterick Prize 2022.

Finalist of the 2022 Firecracker Award in Fiction.

Coconut trees. Carnival. Rum and coke. To many outsiders, these and other sunny images are all they know about life in the Caribbean. However, if you want to learn how the locals truly live and experience the dark and often harrowing truths that lurk behind the idyllic imagery of Caribbean culture, then come visit the town of Pleasantview.

Come during election season, and see how one candidate sets out to slaughter endangered turtles - just for fun. Or come on the day the other candidate beats his "outside-woman," so badly she ends up losing their baby. Then come on the night of the political rally, where this grieving woman exacts a very public revenge. Stay a while, and see how this single event has a trajectory far beyond the lives of the immediate actors, with often tragic and heartbreaking consequences.

Written in a remarkable combination of Standard English and Trinidad Creole, Pleasantview showcases the entrenched political, racial, and class dichotomies of life in Trinidad: the generosity (yet cruelty) of the average Trini; the sense of optimism (and yet, despair) which permeates everyday interaction; and the musicality of Caribbean creole (kriol) expression that masks an ingrained and frequently violent patriarchy.

Merging the vibrancy and darkness of recent Caribbean writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James's A Brief History of Seven Killings, Pleasantview is a landmark work in international fiction.